Thursday, 23 November 2017

Landscape

Landscape 

Definition & Theory

  • Landscape - derived from the dutch word landscape meaning 'region, tract of land'. 
    • Definition - all the visible features of an area of land, often considered in terms of their aesthetic appeal.
It was first used in 1598 as a painters term when artists were pioneering the landscape genre. Then used in the artistic sense by the English to describe ' a picture depicting scenery on land ' .
                                                                                                                      
Image Bank



Dan Holdsworth

He is a British photographer who makes large scale photographs and digital art, through the use of traditional techniques. An example of this is when he uses unusually long expose times.


Some of his earliest series is called A Machine For Living ( 1999 - 2000 ) and Megalith ( 2002 ). Both use common places eg. a car park or broadcasting towers.  His work is focused on using artificial light at night in urban areas this has made the landscape seem to be unnatural colours.






The first two images are from his collection called A Machine for Living and the last is from Megalith.

He used a abnormally long exposure time to be able to create a toxic, eerie glow from the artificial lights in and around the buildings, making them stand out. All the scenes are completely empty of people and with there saturated colour creates the feeling of loneliness implies how baron and uneasy these places are at night. The way he frames his images and the way the artificial light is reflected and defracted almost makes the image show off the whole architectural side of the building as if it was a model.

From this i gained inspiration so instead of using artificial light i am going to try and use the sun to create different effects that complement the landscape.


( AO:1)
Contact Sheets


My Best Photos








Images that need Improvement







These photos have been chosen because they didn't turn out how they where intended. For the first photo i didn't check my camera settings after i zoomed in, as a result the picture turned out completely out of focus. As a result i focused my camera and took the picture again, photo DSC 1502. JPG. 

In the next photo i was trying to get the sun so it looked like a halo around the tree. However it set to quickly for me to line up the shot. This is because i was in a reasonably restricted space and couldn't get the right angle before the sun set. The second problem was that by this point i think the sun had set to far. As a result if i was to try and take this picture again i would have to wait for the sun to set and time the picture as best as i can. Also i may have to change the shutter speed to allow more light through onto the film. 

In this photo i was inspired by Dan Holdsworth and his use of light in his photos especially in his series of Machines for Living. With the sun i was trying to create a shadowing effect on the building so you could only see the outline or only one side of the building.  As well as this i liked the way he is able to capture the light where it has a effect making it look like a star. I was able to capture the starlike effect with the sun, which i absolutely love as it has the same effect as the lights in Dan Holdsworth's photo, Untitled ( A machine for Living ) 2000. This effect happens when you have a small aperture and a long exposure because it allows the light to defract. As a result intense light sources form these blade like features creating this effect. However my shutter speed was to short because it didn't let in enough light to capture the outline of the buildings or any lights that where on. As a result i retook the picture, DSC 1572 and i really like the result. What i did was that i changed the shutter speed and adjusted the aperture and as a result got the photo i was looking for. 

The last photo was one of my worst because i really over exposed the photo, because of this you can't see most of the picture. The long exposure also washed out the colour and makes a effect where it looks like it is foggy however that on how i wanted the photo to come out. Another problem is that my picture isn't framed correctly and i have the part of a car in the photo as well as the bar in the bottom left hand corner. If i was to retake this image i would make sure i frame the photo so i don't get the car and bar in the final photo. I would also make the shutter speed shorter so i don't get as much natural light in the image. 

( AO:3 ) - Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress

As i was creating an idea for what type of landscape i wanted to take photos of i was inspired by Dan Holdsworth. The idea of photographing the more urban skylines came from seeing his collection called A Machine for Living. However he normally shoot at night in order to get the artificial lights coming front the cars and buildings, this is what gave me the idea of trying to use the sun in the same way. This got me to start shooting at different times of the day facing towards the sun, so i had to wear the protective glasses i had at home when shooting so not to harm my eyes. The way i wanted to use the sun was to try and create the same star like effect that Dan Holdsworth creates in his images as well as tell a story of the different stages of the sun through the day. Dan Holdsworth's inspiration took me down the route of using the Sun for different effects in urban areas and using more traditional methods.

I am very pleased with how the photos turned out as i got a lot of different effects using the Sun. However i need to check that i have framed the pictures well. 

With reference to my Best Photos ... 

What i tried to do with this series was the cycle of the Sun, and the different effects that can be seen. They where all inspired by Dan Holdsworth and his work and i kept my photos reasonably dark to create a link between my photos and his.

My first image was taken in late evening, and i was inspired by Dan Holdsworth. It was shot so to frame the traffic lights and Sun, this kept the use of artificial light in my photo but also incorporated the use of natural from the Sun. This allowed a contrast to be created between the silhouette landscape and the coloured light given off by the Sun and traffic lights. What i also really like is that there is a cloud that looks like it is about to ingulf the Sun, implying that the earth is going to plunge into darkness without the use of artificial lights. 

The sunsetting photo was inspired by the second image of Dan Holdsworth in my research as it has a large amount of negative space at the bottom of the photo. As a result i used the sun to almost create this halo effect around the trees and buildings forming a silhouette which allows for a lot of negative space to form at the bottom of the photo. I love how the only colours in the whole photo was black and orange as it creates a really interesting contrast and is different from black and white. This photo was taken on the highest ISO number as it was really dark out and the only light i had to work with was coming from the setting sun. It was really hard to focus however using a tripod helped me frame the shot easier. 

The rising sun was also inspired by the second image shown in my research by Dan Holdworth as i looks like the sun is about to come up. So i used the sun to light up the sides of buildings and show the roof tops in Harlow. The use of a tripod helped my frame the photo and like Dan Holdsworth i used a long exposure time to create the star like effect using the Sun. 

The last photo i took during the day as i wanted to bring out the builds to show the harsh line between the almost concrete like jungle of buildings and the open sky. I also looked to try and make the star like effect of the sun bigger almost as if it had exploded and i love how it engulfs the tops of buildings. I believe if i can edit it to show a higher contrast it can work well with the rest of the series. 

( AO:2 ) - Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work development

I had to use my Nikon DS3100 camera set to manual, to take the photos shows as it has a wide range of setting allowing me to create extremely long exposure times of my photos. During the shoots i had to change my ISO number a lot due to the fact i was shooting at different times in the day so i had to use the whole range from 200 - 1600 on my camera. However i think in some photos i should have used a slightly different f stop as most of my pictures are quite dark. Although it does allow them to link but with my research better. 

To improve my photos i am going to import them into photoshop and use the different tools to edit my photos. So if i am going to show my photos with a different contrast i am going to use the Brightness and Contrast tool. However i may lighten some of the photos so i may look at the adjustments to the brightness and the different layers of colour. The information about how i did this is shown below using an example from my work. 






























This images where take by using screen grab ( Ctrl, Shift, 4 ). The screenshots show how i edited my images by using the different tools in photoshop. An example is that i used the Brightness and contrast tool the most to create the different and desired levels and then couple that with the curves tool and to create the contrast.





( AO:1 ) - Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding

My research really helped to focus on a service that tells a story that happens everyday. The research on Dan Holdsworth was the most helpful as it helped me to come up with the idea of the suns cycle while using the urban landscape to show it. This helped me understand that landscape doesn't always mean the natural landscape and that humans have created there own type of landscape. This really helped as then i released i could use Harlow as a urban landscape, Dan Holdsworths work really showed me this. Allowing me to use his style with my ideas to create a series of photos making me release that urban landscape is just a beautiful in its own way compered to the natural landscape.

( AO:4 ) - Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements

I believe that this is a strong series of images inspired by my research and also showing a story creating a meaning behind them and a link to my research. Looking at different views and compositions of the landscape helped me to focus on the one idea. As a result the final images produced were refined in photoshop by developing the contrasts and adjusting the colours.








Texture and Pattern

Texture and Pattern 

Definition & Theory

  • Texture refers tot the tactile qualities of the physical surface of the object. In other words, how does the surface of the work feel when you touch it?
  • Pattern is an underlying structure that organizes surfaces or structures in a consistent, regular manner. Its described as a repeating unit of shape or form, also be thought of a s the "skeleton" that organizes parts of a composition.
Texture


Theory and Research

The major challenge when trying to capture the texture of something is the light. Texture can be accentuated by where the sun or light your using is, example sunrise, early evening, overhead lighting.

Tonal and colour contrast can be used effectively with texture the key to this is too enhance the detail in texture and make that stand out. To do this you need to have a good contrast between different things, example colour and light. The easiest way to do this is to have a background that contrasts with the area of texture, making it stand out. 


Pattern 

Theory and Research



When pattern is used effectively it can transform a bland image into something more dramatic and eye catching. Patterns can be found in natural and man made settings.



Where can you find it?

  • It can be anyway and everywhere but you can only capture it in daily life if you have a camera on you and you keep your eyes open.
  • Its important to get in close to capture all the detail of the pattern, if on a small scale. However on a large scale the best way to view it is from a birds eye view. 

Different types of patterns.

  • Regular some of the most rewarding to shoot where shapes, lines, colours repeat in a strict formation filling the frame, a consistent geometric formation with clear cut lines.
  • Irregular can be found in the natural world where there is no direct contrast to regular formations.


Pattern is very good at getting attention but that can fade if its simple. As a result sometimes it is good to use two or more patterns in one image to break the pattern. However this has to be done so it strengthens both of the patterns. The other option is to break the texture pattern, a single rock in a field of clovers as an example.

Image Bank


Texture 







Pattern







Photographers 

Edward Weston and Aaron Siskind

The first photographer Edward Weston is an American Photographer who between 1927 and 1930 developed his series of close ups and landscapes. This included seashells, peppers anything natural with different textures, he believed that a camera should be used for recording life.









The first image is one of his most successful and one that i find really inspiring.  This is due to the fact that at first glance for me i saw what seemed to be a cloth that had been place over something so it had folded. Where as it is really an upside down cabbage leaf. As a result he has made something that is so ordinary into a beautiful wave like surface that is graceful as it presents the idea of movement. There is no trickery behind the image, he has just used a black and white filter and great precision and a wide range of tone. In the second photo he uses high contrast again to help the inside of the mushroom to stand out. This shows the texture of the mushroom, where the stork is smoother than the inner folds on the inside. This is shown through the stork being lighter as it has next to no dips and peaks, however the inside does resulting in it being much darker. In the third image he has set the camera to the smallest aperture setting to ensure maximum sharpness for both foreground and background. Allowing him to retail details otherwise lost in the images. This image as a result is a perfect example of irregular patten as the sand has been pushed by the wind into this ripple effect that has no regular formation. The final image of the shell was taken around 1929 when he moved to California as this is when he focused on monumental close ups of shells, among other things. The way he has photographed the shell its patten creates a perfect spiral which is enhanced with the black and white filter. It does this by making the dips and slits darker. Making it look a little like a spill staircase. 

Aaron Siskind (my second photographer) is an american photographer that found objects that were simultaneously true-to-life and abstract. 






The first image shows paper pilling off a broad from weather and decay a bit like a metaphor for life where there are layers to a person. The way he has framed the photo makes the texture seem like it if you touch it the image will just crumble apart.The image of the wall has been taken at an angle as a result making the wall look abstract. The low aperture setting aloud the whole image to stay in focus and bring out the rough texture of the bricks, as well as the regular patten of the brick work. He has put a black and white filter over the image which has made the brick darker and the cement lighter creating a contrast. The next image is oft bark on a tree which has been taken to fill the whole frame. The black and white filter enhances the deeper curves and cracks in the bark, this makes the image appear rough. It also shows off the irregular natural pattern. The last image shows a regular pattern on wood, however it has been cut into square pieces as a result it looks irregular. The black and white filter brings out the difference between the dark circles and the lighter background.    


Contact Sheets





My Best Photos





Images that need improvement





I have chosen these photos because they didn't turn out how i had imagined them to come out. 

In the first photo there was a reflection from the light used. This resulted in a glare across the final image and it is hard the make out the regular pattern. So i moved the paper to a different location with better light and also tried with a different angle. Which is how i got DSC 1321, this cut out the glare of the light allowing the pattern to be better seen.

The next photo wasn't framed correctly so it ruined the checkered pattern on the floor which is used as a chess board. I tired to frame the picture but you cant get high enough to look down on the checkered pattern. As a result i tired to zoom in to the pattern but couldn't get the same effect. 

In the third photo my ISO setting was to high as a result the photo turned out rather dark. This makes it very hard to see the rough texture of the rock so i tried a different ISO setting and took more photos from different points. These are shown from DSC 1436 - DSC 1440 on my contact sheets. 

The last photo could could have been one of the best however it was framed incorrectly, resulting in sky showing through on the left hand side of the photo. If i was going to go back and retake this photo i would take a tripod with me and more carefully frame the photo so it sat in the centre and filled the whole frame. 

( AO:3 ) - Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress

I really found texture and pattern hard because getting inspiration for my photos was difficult. As a result i really had the full back on my research i focused on Aaron Siskind and his true to life photos. This gave me the idea of photographing the everyday things like paving and buildings for patten. Then for texture i looked at both photographers so like Edward Weston i focused on the natural world, taking photos of fruit and veg. 

With reference to my Best Photos...

For my first photo i used inspiration from Aaron Siskind and using his style of abstracting photos like the brick work. However to make the photo relevant i based it on patten unlike Aaron, the inspiration came in the angle i took the photo to get the same effect. The pattern forms diagonal leading lines by using the white spots as the focus point, making a regular patten.

The next photo was taken of the ground outside the college this is has been put down to stop people form slipping over when it has rained. This was inspired by Aaron Siskind and how he uses textures that are around him to take his photos. However Aaron has a higher contrast so later i will photoshop my photo to bring out the different tones. I am very happy with this photo as it portrays and rough, uneven surface with alternating shapes.

The photo of the mushroom was highly inspired by Edward Weston and how close he can get to and object and keep the sharpness. As a result of this is i wanted to take a photo of the underneath of a mushroom to show the texture underneath. So i used a tripod to keep my camera still, add a small aperture it allowed me to zoom right in a still keep as much sharpness as possible. This is my favourite photo as the difference in the textures between the stork and folds contrast with the stork seeming harder and the folds soft. 

( AO:2 ) - Explore and select appropriate resources, media, materials, techniques and processes, reviewing and reiewing and refining ideas as work develops

I used my Nikon D3100 set on manual to take my photos. I used different ISO's depending on where i was shooting however the lighting was still poor in places. As well as this i have learnt from my other formal elements to use a tripod to help keep my camera still allowing me to take sharper photos. Using the tripod has helped however i need to take more time to work on framing the photo better while using a tripod. 

To improve my best photos i imported them in to photoshop and used a black and white filter to help link it to my research better. After that if the photo needs a higher contrast i will use curves or dodge and burn. The information on how i did this is shown below. 





The images shown where taken by screen grab ( Ctrl, shift, 4 ). They show step by step how i used photoshop to edit my photos to get a higher contrast and how i put the black and white filter over the photos to link them with my research.







( AO:1 ) - Develop ideas through sustained and focused investigations informed by contextual and other sorces, demonstrating analytical and critical understanding

My research helped me immensely in this part because i didn't know what i should take photos on. Though now i know that texture and patten can be taken in different ways but the best way of taking them is to use everyday recurring objects. Aaron Suskind helped me look at texture and patten in a different perceptive and look for different angles to try and distort everyday things to get interesting images. Edward Weston allowed me to understand how black and white photos are just as powerful as coloured ones however can show more details and a wider tonal range. Both have allowed me to see my are of Harlow differently and that there are a lot of unnoticed textures and patterns. This is what allowed me to take photos on texture and patten and put my own twist on it.

All of my research was important to allow me to understand what i needed to take photos of and grasp the correct concept of texture and patten. Knowing all the information helped me through this part because with out it i would have struggled. I would have struggled with getting new ideas and i wouldn't have thought of trying different angles in my photos. 

( AO:4 ) - Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements

I believe that i have a reasonably strong series for texture and patten which was inspired by my research on different photographers. There different styles allowed me to focus in on the everyday textures and pattens. The final images produced where refined by converting them to black and white and changing the contrast to allow a higher level of detail.